About
Thirty years.
One methodology.
The Story
From civil engineering to the Metropolitan Opera.
Luis Chapa was born in Mexico and trained first as a civil engineer before the voice took over completely. What began as a parallel path became the only path — one that led from Mexico City to the conservatoires of Europe, and from there to the greatest opera houses in the world.
He has sung at the Metropolitan Opera House, and across the stages of Europe and the Americas, in roles including Otello, Samson, Aïda, and Calaf — thirty years at the level where the margin between training and full expression is measured not in technique, but in freedom.
It was that margin — what separates a singer who knows from a singer who is heard — that became the question Breath & Voice was built to answer.
Breath & Voice is for the serious singer — the one who has put in the work, in whatever form that took, and still feels something is in the way. It addresses the layer no technique alone reaches: what lives in the body, in the breath, in the gap between what the singer knows and what the audience hears. Founded by tenor Luis Chapa — Metropolitan Opera, thirty years at the highest levels of operatic performance — it does not replace what you have learned. It completes it.
The Methodology
What thirty years on stage taught that no conservatoire can.
Breath & Voice addresses the layer that formal training rarely reaches: the somatic and psychological patterns that hold even skilled singers back from their fullest, freest expression.
Grounded in breath physiology, somatic practice, and performance neuroscience — and built from three decades of experience at the highest levels of operatic performance — it works where training ends.
The three pillars are Alignment, Breath, and Resonance. Not as separate technical components, but as a unified system that, when functioning together, allows the Singer State to arrive: free, full, instinctive expression.
Breath & Voice exists for the singer who has done the work and still walks onto the stage carrying something that does not belong there.
Founded by Luis Chapa — Metropolitan Opera
The methodology is developed in ongoing dialogue with Marie Vassiliou, singing teacher at the Royal Academy of Music and the Guildhall School of Music.
In his own words.
Work with Luis.
For enquiries about private sessions, The Onion workshop, or institutional partnerships.